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  Born the last day of 1905 in Arkansas City, Kansas—just sixty miles south of Wichita and the neighboring small towns where Stan and Madelyn Dunham would grow up some fifteen years later—Frank’s parents divorced while he was a child. He was raised by his mother, stepfather, and grandparents; he graduated from high school, spent a year working in Wichita, and then attended Kansas State Agricultural College. Already interested in poetry and journalism, he left school in 1927 to move to Chicago and found work with a succession of black newspapers there and in nearby Gary, Indiana. In 1931 Frank moved to Atlanta for a better newspaper job, and while there, he met and married Thelma Boyd. He returned to Chicago in 1934, drawn back primarily because of an intense affair with a married white woman who encouraged him to pursue poetry more seriously. His first volume of poems, Black Man’s Verse, appeared in mid-1935, followed by two more volumes in 1937 and 1938. By the early 1940s Davis had a reputation as an African American writer of significant power and great promise, a leading voice in what would be called the Chicago Black Renaissance.

  Decades later, one scholar of mid-twentieth-century black literature would say that Davis was “among the best critical voices of his generation,” but his most thorough biographer would acknowledge that “Davis’s poetry did not survive the era in which it was written,” in significant part because much of it was so polemically political. Another commentator observed that “even at the moments of narratorial identification with the folk, a certain distance is formally maintained.” Similarly, asked years later about an oft-cited poem titled “Mojo Mike’s Beer Garden,” Frank readily acknowledged that his portrayal “was sort of a composite.”

  Starting in 1943–44, Frank also began teaching classes on the history of jazz at Chicago’s Abraham Lincoln School, a Communist-allied institution aimed especially at African Americans. Frank would later complain that “only two black students” took the course in four years, but among the whites who enrolled was a twenty-one-year-old, newly married woman with a wealthy stepfather named Helen Canfield Peck. Within little more than a year, she and Frank had secured divorces and were married in May 1946.

  In or around April 1943, Frank had become a dues-paying member of the Communist Party USA, according to FBI informants within the party. From mid-1946 until fall 1947, Frank wrote a weekly column for a newly founded, almost openly Communist newspaper, the Chicago Star; in 1948 he published 47th Street: Poems, which scholars later said was his best book of verse.

  During the summer of that year, Helen Canfield Davis, who had also joined the party, read a magazine article about life in Hawaii. Not long after that, Frank spoke about the islands with Paul Robeson, the well-known singer who shared his pro-Communist views. Robeson had visited Hawaii in March 1948 on a concert tour sponsored by the International Longshoremen’s and Warehousemen’s Union (ILWU) to boost the left-wing Progressive Party. Frank also heard about life in the islands from ILWU president Harry Bridges. Then that fall, Helen received an inheritance of securities worth tens of thousands of dollars from her wealthy stepfather, investment banker Gerald W. Peck. With that windfall, Frank and Helen decided to see for themselves what Hawaii was like for an interracial couple; they packed with an eye toward making this a permanent move and arrived in Honolulu on December 8, 1948.

  From their hotel in Waikiki, Frank called ILWU director Jack Hall at Bridges’s suggestion. The FBI had a tap on Hall’s phone, and this prompted them to watch Frank as well; according to Bureau files, Frank and Helen met Hall in person on December 11. Far more important, though, Frank and Helen thought Hawaii was simply “an amazing place,” and that ironically racial prejudice “was directed primarily toward male whites, known as ‘haoles.’” As Frank later recounted, “Virtually from the start I had a sense of human dignity. I felt that somehow I had been suddenly freed from the chains of white oppression,” and “within a week” he and Helen agreed they wanted to remain in Hawaii permanently, “although I knew it would mean giving up what prestige I had acquired back in Chicago.”

  By May 1949, Frank began writing an unpaid regular column for the Honolulu Record, a weekly paper that matched his political views. In July the FBI placed his name on the Security Index, a register of the nation’s most dangerous supposed subversives, and four months on he was added to DETCOM, the political equivalent of the Bureau’s “most wanted” list of top Communists marked for immediate detention in the event of a national emergency.

  Frank had realized almost immediately that he would not be able to make a living as a writer in Hawaii, and in January 1950, he started Oahu Paper Company. That same month he and Helen purchased a home in the village of Hauula, thirty miles from Honolulu in northeastern Oahu, for their quickly growing family that included daughter Lynn, who was approaching her first birthday, and son Mark, who would be born ten months later.

  The FBI began constant surveillance of the Davises’ mail in mid-1950, and in March 1951, a fire at Oahu Paper destroyed thousands of dollars’ worth of stock. The Bureau’s agents reported that Frank was fully insured, and in June 1952 an informant who had quit Hawaii’s Communist Party told agents he had personally collected Frank and Helen’s monthly party dues for the last two years. In early 1953 Frank became president of the small Hawaii Civil Rights Congress (HCRC), but within two years the group was “almost inactive.” The FBI also noted that on Christmas Day 1955 the Communist Party’s national newspaper, the Daily Worker, included an article by Frank on jazz.

  By that time, Frank and Helen had a third child, but in April 1956, he closed Oahu Paper, filed for personal bankruptcy, and took a job as a salesman. That summer the family moved from Hauula to Kahaluu. Several months later, Eugene Dennis, general secretary of CPUSA, writing in a national newspaper, and then Frank in his weekly Honolulu Record column, said “there is no longer a Communist Party in Hawaii.” Even so, Mississippi senator James O. Eastland, chairman of the U.S. Senate’s Internal Security Subcommittee, scheduled a December hearing in Honolulu to probe Soviet activity in the balmy islands. Fearing how Davis might dress down the notoriously racist Eastland in a public hearing, the subcommittee instead subpoenaed Davis to appear at a private executive session, where he took the Fifth Amendment three times when questioned about his CPUSA ties. Just two weeks later, in another Record column, Frank forcefully attacked the Soviet Union for its military invasion of Hungary, calling the move “a tragic mistake from which Moscow will not soon recover.”

  But Honolulu FBI agents, and their informants, kept their focus on Frank. In mid-1957 he told one supposed friend that Helen had taken up with a visiting musician who was performing in Waikiki. The Bureau quickly took note of Frank’s move to the Central YMCA for a month before he and Helen reconciled and the family moved to a house up in Honolulu’s Kalihi Valley neighborhood. In February 1958 Helen gave birth to twin daughters, and a year later Frank started a new company, Paradise Papers.

  Two years later, agents learned that Helen was working for Avon Products and “works mostly in the evenings making house calls. As a result, subject is now forced to spend most of his evenings babysitting and has little opportunity to contact his former friends outside working hours.” That led Honolulu agents to request that Frank be demoted from the top-risk Security Index, but FBI headquarters refused until early 1963, when it ordered Honolulu to interview Frank about his past affiliations, and Frank met with two agents in Kapiolani Park on August 26, 1963. Asked to confirm his CPUSA membership, Frank said the party had not existed in Hawaii for at least seven years and that it would do him no good to acknowledge his past membership. But, Frank added, he would “consort with the devil” in order to advance racial equality. With that the FBI finally closed its file on fifty-seven-year-old Frank Marshall Davis.

  Frank busied himself with Paradise Papers, but it, and Helen’s work, hardly provided enough money to raise a family. By June 1968, Frank’s two eldest children had graduated high school, and that summer Frank earned a modest sum of money by publishing a self-procla
imed sexual autobiography, Sex Rebel: Black—Memoirs of a Gash Gourmet, under the pseudonym “Bob Greene.” It began with an introduction, supposedly authored by “Dale Gordon, Ph.D.,” which observed that the author may have “strong homosexual tendencies.” “Bob Greene” then acknowledged that “under certain circumstances I am bisexual” and stated that “all incidents I have described have been taken from actual experiences” and were not fictionalized. “Bob’s” dominant preference was threesomes, and he recounted the intense emotional trauma he experienced years earlier when he learned that a white Chicago couple with whom he had repeatedly enjoyed such experiences were killed in a violent highway accident.

  “Bob,” or Frank, championed recreational sex, arguing that “this whole concept of sex-for-reproduction-only carries with it contempt for women. It implies that women were created solely to bear children.” And Frank did little to hide behind the “Bob Greene” pseudonym with close friends. Four months after the 323-page, $1.75 paperback first appeared, Frank wrote to his old Chicago friend Margaret Burroughs to let her know about the availability of “my thoroughly erotic autobiography.” Since it was “what some people call pornography (I call it erotic realism),” it would not be in Chicago bookstores. “You are ‘Flo,’” and “you will find out things about me sexually that you probably never suspected—but in this period of wider acceptance of sexual attitudes, I can be more frank than was possible 20 years ago.” He closed by telling Burroughs, “I’m still swinging.”

  In June 1969, Frank moved from his family’s home to a small cottage just off Kuhio Avenue in the cramped, three-square-block section of Waikiki known as the Koa Cottages or simply the Jungle. He and Helen divorced the next year, and, as his son Mark would later write, Frank “entered his golden years with glee,” given what life in the Jungle offered. As Frank described it, his little studio had a tiny front porch “only two feet from the sidewalk” and “my pad is sort of a meeting area, kind of a town hall to an extent.” The Jungle was “a place known for both sex and dope,” and was really “a ghetto surrounded by high-rise buildings,” but it was without a doubt “the most interesting place I have ever lived.” Soon after moving there, Frank became known as the “Keeper of the Dolls,” and he later recounted how he had written “a series of short portraits called ‘Horizontal Cameos’ about women who make their living on their backs.”

  Two of Frank’s closest acquaintances from the early and mid-1970s readily and independently confirm that Stan Dunham was one of Frank’s best friends during the years he lived in the Jungle. Dawna Weatherly-Williams, a twenty-two-year-old white woman with a black husband and an interracial son, was by 1970 effectively Frank’s adopted daughter and called him “Daddy.” She later described Stan as “a wonderful guy.” She said he and Frank “had good fun together. They knew each other quite a while before I knew them—several years. They were really good buddies. They did a lot of adventures together that they were very proud of.” As of 1970 Stan “came a couple of times a week to visit Daddy,” and the two men particularly enjoyed crafting “a lot of limericks that were slightly off-color, and they took great fun in those” and in other discussions of sex, which Dawna would avoid.

  Despite what was readily available in the neighborhood, “Frank never really did drugs, though he and Stan would smoke pot together,” Dawna remembered. Stan had told Frank about his exceptionally bright interracial grandson well before August 1970. According to Dawna, “Stan had been promising to bring Barry by because we all had that in common—Frank’s kids were half-white, Stan’s grandson was half-black, and my son was half-black.” Decades later she could still picture the afternoon when Stan brought young Barry along to first meet Frank: “Hey, Stan! Oh, is this him?” She remembers that over the next nine or ten years, Stan brought his grandson with him again and again when he went to visit Frank, and as Barry got older, Stan encouraged him to talk with Davis on his own. Obama would remember, “I was intrigued by old Frank,” and years later his younger half sister, Maya Kassandra Soetoro, who was born on August 15, 1970, during her brother’s visit with their grandparents in Hawaii, described Stanley telling her that Davis “was a point of connection, a bridge if you will, to the larger African American experience for my brother.” Once Obama entered politics, Davis’s Communist background plus his kinky exploits made him politically radioactive, and Obama would grudgingly admit only to having visited Davis maybe “ten to fifteen times.”22

  Soon after Ann Dunham Soetoro’s second child was born, Madelyn Dunham, along with her grandson, flew to Jakarta to see her new granddaughter and to meet Lolo’s mother and family. Within weeks nine-year-old Barry was back at Besuki school to start fourth grade. The boy who sat next to him, Widiyanto Hendro, later “said Obama sometimes struggled to make himself understood in Indonesian and at times used hand signals to communicate.” The summer in Honolulu had not improved his limited grasp of the Indonesian language, and Lolo’s relatives who saw Barry during his fourth-grade school year noted how much chubbier he had become during his now three-plus years in Indonesia.

  For more than a year in Honolulu, Lolo Soetoro had served as Barry’s off-site stepfather, often roughhousing with him and also playing chess with Stanley at the Dunhams’ home. Then, in Jakarta, Barry lived with Lolo on a daily basis for just more than three years, and throughout that time the young boy was impressed with Lolo’s knowledge and self-control, especially the latter. “His knowledge of the world seemed inexhaustible,” particularly with “elusive things,” such as “managing the emotions I felt,” Obama would later write. Lolo’s own temperament was “imperturbable,” and Barry “never heard him talk about what he was feeling. I had never seen him really angry or sad. He seemed to inhabit a world of hard surfaces and well-defined thoughts.”

  Three decades later, after Obama’s memoir Dreams From My Father was published, he would select the brief portrait of Lolo he had written when asked to give a short reading from his book. In that scene, young Barry asks his stepfather if he has ever seen someone killed, and when Lolo reluctantly says yes, Barry asks why. “Because he was weak,” Lolo answers. Barry was puzzled. Strong men “take advantage of weakness in other men,” Lolo responds, and asks Barry, “Which would you rather be?” Lolo declares, “Better to be strong. If you can’t be strong, be clever and make peace with someone who’s strong. But always better to be strong yourself. Always.”

  In subsequent years, Obama would believe that by 1970–71, Lolo’s acclimation to his new job with Union Oil led Ann to become increasingly disillusioned with her second husband’s evolution into an American-style business executive. Obama admired Lolo’s “natural reserve” if not his “remoteness,” and believed his mother’s growing disappointment with Lolo led her to use an image of his absent father to persuade her son to pursue a life of idealism over comfort. “She paints him as this Nelson Mandela/Harry Belafonte figure, which turns out to be a wonderful thing for me in the sense that I end up having a very positive image” of my father, Obama would later recount. “I had a whole mythology about who he was,” a “mythology that my mother fed me.” But his memories of Lolo from 1970–71 would become dismissive. “His big thing was Johnnie Walker Black, Andy Williams records,” Obama recalled. “I still remember ‘Moon River.’ He’d be playing it, sipping, and playing tennis at the country club. That was his whole thing. I think their expectations diverged fairly rapidly” after 1970.

  Some scholars would later credit “the Javanese art of restraint, of not displaying emotions, of never raising your voice,” all of which young Barry witnessed in Lolo, with deeply influencing Obama. Lolo “was as close to a father figure as Obama ever had,” albeit briefly, and “the lessons Obama learned from Jakarta and Lolo,” particularly not “disclosing too much about how one feels,” supplied the human template for Obama’s own practice and appreciation of the “benefit of managing emotions,” a second commentator would conclude.

  In subsequent years, when asked about the impact on hi
m of his three-plus years in Indonesia, Obama more often cited an external perception—“I lived in a country where I saw extreme poverty at a very early age”—than any internal conclusions or emotional lessons. “It left a very strong mark on me living there because you got a real sense of just how poor folks can get,” he told one questioner twenty years later. “I was educated in the potential oppressiveness of power and the inequality of wealth,” he told another. “I witnessed firsthand the huge gulf between rich and poor” and “I think it had a tremendous impact on me,” he explained more than once. Such an insistent theme would lead one smart journalist to assert years later that for Obama, “Indonesia was the formative experience.”23

  Sometime soon after his tenth birthday, in early August 1971, Barry again flew from Jakarta to Honolulu. As he had the previous summer, he would live with his grandparents, and in September he began fifth-grade classes at Punahou School, just a four-block walk up Punahou Street. Families of fifth (and sixth) graders received a “narrative conference report form three times during the school year. No letter grades are given. At the initial conference during the fall, achievement test scores, the class standing and a detailed written evaluation of progress in each subject area will be discussed.” Four major subject areas—Language Arts, Social Studies, Mathematics, and Science—were supplemented by a weekly arts class, a music class, and four sessions of physical education. A year’s tuition was $1,165. With two well-employed parents, plus his grandparents—Madelyn nine months earlier had been named one of Bank of Hawaii’s first two women vice presidents—Obama did not receive any form of financial aid.